Thomas Voigt
Official Website of Thomas Voigt, filmmaker and author

Jonas Kaufmann WIEN

Jonas Kaufmann’s new album is a deeply personal tribute to the world-famous melodies from the birthplace of waltz and operetta. Hence its title: Wien. Jonas Kaufmann will present his new project at a concert in Vienna’s Konzerthaus on October 14, with soprano Rachel Willis-Sørensen at his side.

Wien, Jonas Kaufmann’s new album, has been released on October 11, 2019. In January 2020 he will take the same programme on a European tour.

The singer always had a deep love for Viennese songs and operetta. “The music always put me in a good mood”, he recalls. “When I had unlikeable things to do as a student, like cleaning or vacuuming, all I had to do was play Carlos Kleiber’s Fledermaus recording, and in no time at all I had a grin on my face.”

In many ways “Wien” takes Jonas Kaufmann back to his roots. His very first professional stage production, while still a student, was A Night in Venice. That was in Regensburg back in 1993-94, when he sang Caramello more than 30 times. All the more reason to feature the tenor highlights of this Johann Strauss operetta on Wien, along with duets from Die Fledermaus, Wiener Blut and Lehár’s Merry Widow. As in his concertante Fledermaus performance at last year’s Dresden New Year’s Eve Gala, his superb partner in the duets is Rachel Willis-Sørensen.

In addition to Kaufmann’s première recordings of Johann Strauss favourites, the new album contains a wide selection of Viennese songs, ranging from Robert Stolz (“Im Prater blüh’n wieder die Bäume”) to Peter Kreuder (“Sag beim Abschied leise Servus”) and Hermann Leopoldi (“In einem kleinen Café in Hernals”) all the way to Georg Kreisler’s “Der Tod, das muss ein Wiener sein”. Nor can any Vienna album fail to include the city’s unofficial anthem, Rudolf Sieczyński’s “Wien, du Stadt meiner Träume”, better known all over the world as “Wien, Wien, nur du allein”.

And what orchestra is better suited to record these musical gems than the Vienna Philharmonic? This was obvious from the first note of the recording session in Vienna. When the musicians, conducted by Ádám Fischer, played the opening bars, a smile immediately spread across the face – and in the heart – of everyone present.